There She Goes Again Velvet Underground Chords
"I'1000 Waiting for the Man" | |
---|---|
Song by the Velvet Underground | |
from the anthology The Velvet Underground & Nico | |
Released | March 12, 1967 (1967-03-12) |
Recorded | May 1966 |
Studio | TTG, Hollywood, California |
Genre |
|
Length | 4:37 |
Label | Verve |
Songwriter(s) | Lou Reed |
Producer(due south) | Andy Warhol |
Official audio | |
"I'm Waiting for the Man" on YouTube | |
"I'm Waiting for the Man" is a song past American stone band the Velvet Cloak-and-dagger. Written past Lou Reed, it was first released on their 1967 debut album, The Velvet Secret & Nico. The lyrics describe a man'southward efforts to obtain heroin in Harlem.
In various reviews, it is described as "tough garage stone", "proto-punk classic", and "one of the best classic rock songs", with renditions by a number of artists.
Recording [edit]
Along with "Venus in Furs" and "Heroin", "I'm Waiting for the Man" was recorded in May 1966 at TTG Studios while the ring was staying in Hollywood.[1] It has been musically described as garage rock,[2] proto-punk,[3] and hard stone.[4] The lyrics describe a homo'southward efforts to obtain heroin.[5] [6]
Reception and legacy [edit]
In a song review for AllMusic, Dave Thompson called information technology "one of the all-time archetype rock songs... Over chunky guitar, clunking piano, and jackhammer drums, Reed half-sings, half-intones what he would in one case draw every bit a love song about a human being and the subway."[7] He notes that it has been recorded by numerous artists, including "David Bowie and the Stooges [who] both cut fascinating takes on the song".[seven] Each member of the Velvet Underground has performed the song based on their own interpretations.[seven]
In 2004, Rolling Stone magazine ranked the song at number 159 on its listing of the 500 Greatest Songs of All Fourth dimension.[3] It was moved to number 161 in 2010,[5] and finally re-ranked at number 81 in 2021.[8] The magazine noted:
Originally a rootsy Dylan hommage, the vocal evolved into a proto-punk classic steeped in New York dust. The Velvets mixed R&B rhythm-guitar workout, blues-piano stomp and dreamy art drone, as Reed deadpans a story about scoring $26 worth of heroin in Harlem. "Everything near that song holds true," said Reed, "except the toll."[3]
In 2012, Consequence of Audio included it in their list of the 100 greatest top songs of all time, ranking it number 65.[nine] In lists ranking the greatest songs from the 1960s, NME ranked it number 6,[10] while Pitchfork placed it at number 27.[xi] Based on the vocal's appearances in professional rankings and listings, the aggregate website Acclaimed Music lists "I'1000 Waiting for the Man" as the 8th most acclaimed vocal of 1969, the 39th about acclaimed vocal of the 1960s and the 105th most acclaimed song in history.[12] In 2012, Paste ranked the song number three on their list of the 20 greatest Velvet Hugger-mugger songs,[13] and in 2021, The Guardian placed the song at number 9 on their listing of the 30 greatest Velvet Underground songs.[fourteen]
Personnel [edit]
Source:[15]
- Lou Reed – vocals, lead guitar
- John Cale – piano, bass guitar
- Sterling Morrison – rhythm guitar
- Maureen Tucker – drums, tambourine
- Andy Warhol – producer
- Tom Wilson – post-production supervisor
David Bowie [edit]
In December 1966, David Bowie'south director, Kenneth Pitt, acquired an acetate of the then-unreleased The Velvet Hole-and-corner & Nico and presented it to Bowie. Upon hearing "I'm Waiting for the Man", he went to his band at the time, the Buzz, and told them they were going to learn it: "Nosotros learned 'Waiting for the Man' right so and there and we were playing it on stage inside a week." He later recalled in an 2003 interview with Vanity Off-white: "Amusingly, not just was I to cover a Velvets song earlier anyone else in the world, I actually did it before the anthology came out. Now that'due south the essence of Mod."[16] [17] [a]
Bowie outset attempted to record "I'm Waiting for the Man" in the studio during the sessions for his 1967 debut album, and later on properly recorded information technology with another ring, the Riot Team, on April 5, 1967. In his book Insubordinate Rebel, Chris O'Leary notes the subpar quality of the recording, writing that information technology "sounded equally if they were making practice with what they'd found in a school music room."[17] This version later appeared on the Riot Squad compilations The Last Chapter: Mods & Sods (2012) and The Toy Soldier EP.[sixteen] In this version, Bowie misinterpreted the song'due south subject thing, containing the line "I'm just looking for a skillful friendly backside" instead of "I'm merely looking for a honey, dearest friend of mine". Tony Visconti later told biographer Nicholas Pegg: "A very young David Bowie didn't yet know that 'the man' in Harlem parlance meant the drug dealer. So he naturally assumed information technology was a gay see involving money."[16]
Bowie performed "I'm Waiting for the Homo", often titled equally "Waiting for the Human", for BBC radio shows in 1972 (one recording appearing on 2000's Bowie at the Beeb) and frequently on the Ziggy Stardust Tour (one recording appearing on 1994's Santa Monica '72). He would farther perform it on the 1976 Isolar Tour and the 1990 Sound+Vision Bout. While his 1967 recording followed Reed's original chord structure, Bowie made subtle changes to his alive performances. He performed the vocal with Reed at his 50th birthday bash in 1997.[xvi] [17] David Buckley writes that Bowie's 1977 song "'Heroes'" was influenced past Reed's writing.[21]
Footnotes [edit]
- ^ Jimmy Page has fabricated a similar claim: "I'k pretty certain we [the Yardbirds] were the first people to encompass the Velvet Surreptitious."[18] During November eighteen–20, 1966, when the two groups were performing in Detroit, the Yardbirds learned "I'chiliad Waiting for the Human being"[19] and incorporated function in a medley with their version of "I'm a Man".[eighteen] One version from May–June 1968 is included on Last Rave Up in LA.[20]
References [edit]
- ^ Bockris 1994, pp. 106, 135.
- ^ Deming, Mark. "The Velvet Cloak-and-dagger & Nico – Review". AllMusic. Archived from the original on May 31, 2016. Retrieved July 4, 2012.
- ^ a b c "The 500 Greatest Songs of All Time 2004: 101-200". Rolling Stone. Archived from the original on June xx, 2008. Retrieved August 16, 2021.
- ^ O'Hagan, Sean (October 27, 2013). "Lou Reed: Six of his greatest songs". The Guardian. Archived from the original on July 2, 2021. Retrieved May 23, 2021.
- ^ a b "The Velvet Undercover, 'I'grand Waiting for the Man'". Rolling Stone. April seven, 2011. Archived from the original on September 12, 2017. Retrieved September 11, 2017.
- ^ Sounes 2015, pp. twoscore–41.
- ^ a b c Thompson, Dave. "The Velvet Surreptitious: 'I'1000 Waiting For the Man' – Review". AllMusic. Archived from the original on Oct 30, 2020. Retrieved September xxx, 2020.
- ^ "I'm Waiting for the Man ranked #81 on Rolling Stone 500 Greatest Songs List". Rolling Stone. Archived from the original on September 18, 2021. Retrieved September eighteen, 2021.
- ^ "100 Greatest Songs of All Time: 100–51". Issue of Sound. September 21, 2012. Archived from the original on January twenty, 2021. Retrieved September 19, 2021.
- ^ "100 Best Songs of the 1960s". NME. March 26, 2012. Archived from the original on April 29, 2021. Retrieved September nineteen, 2021.
- ^ "The 200 Best Songs of the 1960s". Pitchfork. Archived from the original on Baronial 3, 2020. Retrieved August xviii, 2016.
- ^ "I'm Waiting for the Man". Acclaimed Music. Archived from the original on Apr fifteen, 2021. Retrieved October 1, 2021.
- ^ Stiernberg, Bonnie (November 11, 2012). "The twenty Best Velvet Underground Songs". Paste . Retrieved February 27, 2022.
- ^ Petridis, Alexis (July eight, 2021). "The Velvet Clandestine's greatest songs – ranked!". The Guardian . Retrieved Feb 27, 2022.
- ^ Hogan, Peter (September 25, 2017). The Expressionless Directly Guide to The Velvet Underground and Lou Reed. This Solar day In Music Books. ISBN9781787590519. Archived from the original on September 28, 2021. Retrieved September 28, 2021 – via Google Books.
- ^ a b c d Pegg 2016, pp. 300–301.
- ^ a b c O'Leary 2015, chap. 2.
- ^ a b Salewicz 2019, eBook.
- ^ McCarty 2018, pp. 164–166.
- ^ Russo 2016, p. 109.
- ^ Buckley 2005, p. 280.
Sources [edit]
- Bockris, Victor (1994). Transformer: The Lou Reed Story . New York: Simon and Schuster. ISBN0-306-80752-1.
- Buckley, David (2005). Foreign Fascination: David Bowie: The Definitive Story (Revised ed.). Virgin Books. ISBN978-0-7535-1002-5.
- McCarty, Jim (2018). Nobody Told Me. ISBN978-0-244-96650-8.
- O'Leary, Chris (2015). Rebel Rebel: All the Songs of David Bowie from '64 to '76. Winchester: Zero Books. ISBN978-1-78099-244-0.
- Pegg, Nicholas (2016). The Consummate David Bowie (Revised and Updated ed.). London: Titan Books. ISBN978-1-78565-365-0.
- Russo, Greg (2016). Yardbirds: The Ultimate Rave-Upwardly. Floral Park, New York: Crossfire Publications. ISBN978-0-9791845-7-4.
- Salewicz, Chris (2019). Jimmy Page: The Definitive Biography. New York City: Da Capo Printing. ISBN978-0-306-84538-iii.
- Sounes, Howard (2015). Notes from the Velvet Cloak-and-dagger: The Life of Lou Reed. Random House. ISBN978-ane-473-50895-viii.
Source: https://en.wikipedia.org/wiki/I%27m_Waiting_for_the_Man
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